5/20/2023 0 Comments Iggy pop photos![]() But I think you know if you've had a No.1, you're going to be all right. He suddenly didn't have any money and we were in Los Angeles, and New York as well. When you're used to bumming it for most of your life, and you rebound, it's not a big thing, you know? It's gonna be all right in the end. OK, so the management has got hold of his money, but the record company was helping him out a bit. It's interesting because you captured some beautiful shots during eras in which Bowie maybe wasn't as happy or fulfilled in his life or career - the period when he was filming 1976's The Man Who Fell to Earth, for example. but mostly it was the camera, it was having a camera and using a camera, which I thought was really sexy. So, you know, David wasn't just in the way. I don't know how much was wanting that and wanting to use it, and not the subject as such. I probably never learned my way around it, but there's something really sexy about a camera - a real camera, a good camera. so to have a proper camera, as opposed to an Instamatic - Instamatics have got their place, by the way, as do Polaroids - but to have a serious camera with dials that you didn't know what they did. I loved the idea of a camera like you might like the idea of a gun, the mechanics of it and the weight of it. I wanted a camera because I loved the idea of a camera. Were you trying to get shots like that or is that just kind of how it happened? I love the one of Bowie asleep in the train car. These aren't publicity pictures they're pictures taken by a friend. ![]() The beautiful thing about the photos in this book is their intimacy. ![]() I probably just did it because I was hanging out and forgot about it. I did percussion on that and "Panic in Detroit." I did the percussion on that because Woody didn't want to do it or whatever. I probably didn't even get paid for it, you know? I probably didn't even have the common sense to bill for it. So that was kind of cool, and to hear it now and then hear, Oh, that's my "golden years," you know, in the background, that's kind of cool. So I did most of the vocals, the backing vocals. His voice went halfway through the night when we were recording "Golden Years". I thought it was, 'Oh, that's got the big commercial possibilities.' And the timing was right because it was around the time of the film 2001 , which was a huge film worldwide.ĭo you have a particularly favorite memory of being in the studio with Bowie? In the book, you describe a moment when Bowie played you a new song he'd written called "Space Oddity." Do you remember what you thought of it? MacCormack recently discovered more never-before-seen photographs of his time with Bowie, capturing the Star Man in tender, unguarded moments.Ī common theme that seemed to run through your friendship with Bowie was his confidence in asking your opinion. MacCormack's new book, David Bowie: Rock 'N' Roll With Me, is an expansive memoir that begins with his childhood in Bromley, England, and ends with the last communication he had with Bowie before the legend's death in January 2016. But as he notes, this was only part of the adventure. In another life, he would have made an amazing speechwriter.MacCormack published From Station to Station: Travels With Bowie 1973-1976 in 2007, which chronicled his three years touring and working in the studio with Bowie. Iggy’s lyrics have always been deceptively simple, boiling down an idea to its most basic form, making it both funny and badass in the process. Wither rock’s first and greatest punk?īack, apparently, with a flagrant self-awareness of how absurd and unexpected his career has been, Every Loser contains some of Iggy’s hardest rockers in years, and emphasizes all of the things the man does well: blistering rock, po-faced ballads, and a genuine way with words. But when in 2014 he became the last original Stooge standing (as impossible as that might have seemed 40 years ago), he began seeming entirely over being a rock star on 2016’s Post Pop Depression and nearly went full lounge lizard on 2019’s Free. Iggy had spent much of the first decade or so of the 21st century thrashing out his demons with the reformed Stooges, bringing their legendary Detroit garage-noise to old fans and young worshippers. Both Préliminaires, in 2009, and Après, in 2012, focused on his earthy croon (in French, no less). While such a state used to be par for the course for the most shirtless man in rock, it’s been a while since his solo work has reflected that kind of intensity. “I’m in a frenzy!” 75-year-old Iggy Pop barks on “Frenzy,” the first track on Every Loser.
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